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Re: Modified fonts — exclusive or non-exclusive?
Maybe an unpopular opinion, but I think if you’ve already charged to create a unique glyph for them (and if what you charged took into account that they own the glyph), then licensing them a version …2 -
Re: What are the great conceptual fonts?
I’ll just point out the Caflisch Script was created and released years before OpenType and InDesign. Certainly its concept was to create a set of glyphs that could be combined to create a more natur…6 -
Re: Legalizing a personal "workhorse" font for a specific client
Your description implies that your client wants full ownership of the typeface — a buyout — not simply an exclusive license. But if that’s not true, then perhaps the client could have a period of exc…6 -
Re: A clarification about kerning.
In my opinion, kerning should always be optical -- a judgement by eye -- in the final analysis. Particularly with a humanist design like Garamond, numeric measurements are a good place to start and a…7 -
Re: WOFF2 and Modification Restrictions
It’s fine to discuss licensing issues and the intent of commercial EULA terms. It just wasn’t my point, and I don’t think it was “incorrect” for me to make it in the context of the OP. Really, my ori…2
